Monday, September 15, 2008

Weekly Geeks #16 - interview time!

Greetings! A somewhat belated Weekly Geeks here, as I disappeared to Dublin over the weekend for a wee jaunt that I will tell you all about a bit later (needless to say a fabulous time was had)! So this week’s geeks was to interview a fellow geek about a book that they have read recently but not reviewed on their blog, and for them to interview you about another book.

My fellow geek was Andi, who I interviewed about The Chronicles of Thomas Covenant, the Unbeliever, by Stephen Donaldson.

1. What made you choose to read The Chronicles of Thomas Covenant?
Once I was bashing science fiction, saying it was formulaic and trite (I was fresh out of college with my English degree, so forgive my pride) and Tim, this guy I worked with, told me that he could give me science fiction books that I would adore. So he brought in The Chronicles, and he was right . . I read the whole series in a matter of days.

2. Can you give us a quick introduction to this series?
I don't want to give too much away, but the basic gist is that Thomas Covenant is a very flawed man who believes himself unworthy of much, partially because he has been abandoned by his wife and son (when he was diagnosed with leprosy) but also because that is the nature of humanity. He is transported to the Land, an illdylic alternate earth, where he becomes, unwittingly, the key to saving the planet.

3. The Chronicles of Thomas Covenant were first written back in the 1970s, followed by the Second Chronicles in the 1980s and the Last Chronicles which were started in 2004. Have you found that these stories have aged well for modern readers or do the original stories seem somewhat outdated in comparison to the newer ones?
To be honest, I haven't read the newer ones. . . I started to, but I found the story didn't grip me as much as it did in the originals. I read the first series in the late 1990s and found them every bit as compelling as books written most recently. While I still hold Tolkien as the epitome of the writer who can create an alternate world, I found Stephen Donaldson an admirable contender for that title.

4. It is not often that the main character in a fantasy series has a disability or illness. Without giving any of the story away, what is the significance of the lead character's leprosy? Does it add to or detract from the story in any way?
I hinted at this above, but given Donaldson's religious upbringing and the Biblical references to leprosy - therein meaning any illness that was contagious - Covenant carries with him a physical manifestation of the loneliness and self-doubt that we all feel. I think this bit of the story builds it up tremendously, pulling in the world of Biblical allusions and adding depth.

5. As a fantasy series, the "Land" has a large number of creatures and peoples. Do you have a favourite?
I love Saltheart Foamfollower, the giant with the gorgeous name.

6. In your opinion, what is the most creative aspect of the "Land"?
I like that this Land can be healed. . . I think this piece of these books is particularly telling of when Donaldson wrote these books because in the 1970s we were just beginning to understand the impact that humanity was having on our planet. I would what, in this last series, Donaldson will say about this possibility.

7. If you have them, who are your favourite and least favourite characters?
I actually liked _ as characters if not as creatures I would like to meet - all of the characters in the books. While some fall into almost allegorical figures or archetypes, I feel like they all work well to further the books.

8. Would you recommend this series? Since reading the first trilogy, have you read or are you inspired to read the Second Chronicles trilogy and the planned Last Chronicles tetralogy?
I would definitely recommend the series to anyone who likes sci fi /fantasy and to those of us who understand the world to be sometimes a battle of good and evil, even if the good isn't always clear . . .

9. Fantasy is quite a wide-ranging genre of writing. What kind of story would you describe Thomas Covenant as? What type of readership will it appeal to?
I think it's the story of a world, much - as I noted before - like Middle Earth . . . but here we're dealing with a more contemporary story that seems a bit more timeless than even Tolkien. I also think these books might appeal to folks who like the work of Ursula LeGuin since Donaldson's writing is, on some level, political and in an activist bent.

10. Have you read any other work by Stephen Donaldson?
I have not read anything else by Donaldson, but I will definitely try to read more of the Covenant books now that I've been reminded about how great they are.


Andrea also interviewed me about a book close to her heart, The Hours by Michael Cunningham, that I read for the first time last summer.

1. Why did you choose to read The Hours? Were you a Cunningham fan? A Woolf fan? Some other reason?
I chose to read The Hours after watching the film, as I did not realise is was an adaptation. I loved the film, and managed to stumble across the book in a second hand bookshop. I had not heard of Michael Cunningham before. Woolf has always held a fascination for me, and I have read about her before, but have yet to read her work.

2. What do you think of the narrative structure? Do you like that it’s told in three parts? Why or why not?
The narrative structure of The Hours was essential. The book is three separate stories all interweaving within the connection these three women have, Virginia Woolf’s novel Mrs Dalloway. Their stories are all told, flitting between Woolf in 1920s England, Laura Brown in 1950s Los Angeles, and Clarissa Vaughn (”Mrs Dalloway”) in 1990s New York, but emphasis is on Woolf and Clarissa and the parallels between their lives and the characters in Mrs Dalloway. If these three stories were mixed any more, the structure would have been far more disorganised and confusing. I struggled when reading The English Patient several years ago, for this very reason. Cunningham wrote this novel using Woolf’s own stream of consciousness narrative style, and it works, allowing the reader to delve into the mind and emotions of each of the three protagonists.

3. What do you think of the controversy over the depiction of Woolf?
Virginia Woolf was a complicated woman. Aside from her mental instability, suffering dark periods of depression and suicidal tendencies, she had a fiery temperament and a passionate creativity as a writer. Cunningham allows Woolf’s condition to be seen as a way of life, rather than an illness to be studied and understood. Taken from the heart of London and placed in seclusion in the Surrey countryside, Woolf felt that her creativity was being stifled. For her, death was an escape from her life, which had grown to difficult to bear. Despite her genius and her ability to love and see the beauty of thing, Woolf also bore a terrible sadness. This comes across in Cunningham’s novel, and one truly sees the depth of her pain. The frankness of Cunningham’s writing really comes across in his depiction of her suicide, but is important to remember that this is a novel. The author is taking facts about Woolf’s life and creating a fiction.

Another point of controversy was Cunningham’s brief explorations into his characters’ lesbian and bisexual tendencies, not only with Woolf, who is known to have had a relationship with a female friend, but with Laura Brown and Clarissa Vaughn. This could be seen, however, as an indication of Laura’s desire for an escape from her life, and to show how society has changed, allowing homo- and bisexuality to be far more accepted in the 1990s.

4. Have you read Mrs. Dalloway? How does that compare with Cunningham’s book?
I have not yet completely read Mrs Dalloway, having only flicked through the book, though I am drawn to the book an awful lot these days, and will be definitely be reading it over the next few months. Cunningham does not delve into the fine points of Mrs Dalloway, only the parallels in Clarissa and Richards lives and in Woolf’s struggle to complete the novel against her growing mental instability. Mrs Dalloway is the underlying story throughout The Hours, only peeking out through Clarissa’s life and in the structure of the story itself. I am certain that I will appreciate The Hours in a new light once I have read Mrs Dalloway, and am looking forward to rereading it.

5. How do you feel about Virginia Woolf as a person? As a writer?
I am very drawn to Virginia Woolf. Perhaps as a woman, who has also experienced dark periods in my life, though nothing in comparison to Woolf herself, or perhaps someone who is also inspired to create stories and become completely absorbed in their creation. I have several of her books waiting to be read, along with a highly acclaimed biography, though I will leave the latter until I have read more of her work. Woolf intrigues me, both as a person and a writer, and perhaps that is why I found this novel so powerful.

6. Of the three women in the book, which character to you most prefer and why?
It’s interesting how upon reading the book, and watching the film, each several times, I am drawn to a different character more and am struck by something unique each time. I have found that I am most drawn to Virginia Woolf herself and Clarissa Vaughn. I identify with both of them, one struggling for the freedom to be the person she wants to be, freedom from her own demons more than society; the other struggling to hide her fragility and desire for approval, pouring all her efforts into throwing a party for a close friend. Who doesn’t wonder at times at the triviality of our daily lives?

7. What do you think of Cunningham’s writing style?
I found Cunningham’s writing style to be bold and fresh. His descriptions, especially of Woolf’s suicide, are so factual and precise, I could almost feel the process as characters make their decisions and carry out their actions. His description of Laura Brown’s depression is so evocative; the darkness surrounding her is palpable, and her daily struggle is painfully sad. And the description of Richard, the dying poet are heartbreaking, yet so tangible.

8. Would you read more of his work? Why or why not?
I have seen Cunningham’s other work, and would consider reading more, though the main draw of The Hours for me was that I had enjoyed the film and was interested to read more about Virginia Woolf.

9. Who would you recommend read this book? Would you recommend not read this book?
I would highly recommend this book, and have already given copies to my mother and best friend! Obviously this book is a must read for fans of Virginia Woolf or fans of her work, but no exclusively so. The Hours also works well as a stand-alone novel, though one’s understanding of the depth of the story is enhanced for those who do know more about the background, of Mrs Dalloway and of Virginia Woolf herself. I would perhaps not recommend the book for readers who find themselves impatient, demanding action from their stories. The Hours is a slow burner, but no less powerful.

10. Overall, on a scale of 1-10, what score would you give the book and why?
I would give The Hours a very bold 8 out of 10! I loved Cunningham’s style of writing and the way the story weaves between the lives of these three women.

Many thanks to Dewey for hosting another fabulous Weekly Geeks, and to Andi for her great questions. Andi's post can be found here. I for one will definitely be reading The Chronicles of Thomas Covenant!

Sunday, September 7, 2008

The Singing - Alison Croggon

Rating: 5

For those of you that enjoy fantasy novels in the style of Lord of the Rings or the Sword of Shannara, the Books of Pellinor are a must read. The Singing is the final part of this series by Australian author, poet, essayist and theatre writer, Alison Croggon.

The Books of Pellinor are supposedly a translation of the Naraudh Lar-Chane (The Riddle of the Treesong), an ancient but undateable document which is a classic in Annaren literature. The story is set in the world of Edil-Amarandh, home to a wide diversity of cultures, and reveals the fascinating history and culture of the Bards.

The Books of Pellinor have rapidly become one of my favourite fantasy series of all time, and I cannot recommend them highly enough. Written for young adults, the stories have the excitement, adventure, emotion and rich detail of work such as Lord of the Rings, with Croggon creating the 'Speech' and language of the 'Elidhu'. However, the writing is different and far more accessible for reader, who is drawn completely into the story. I found myself entirely gripped by Maerad's peril and enchanted by the lands and creatures that she encounters.

This rest of this review will contain spoilers for the earlier books in the series, of which my reviews are linked below. Part 1, The Gift, tells the story of Maerad of Pellinor's coming into her Gift as a Bard, with Part 2, The Riddle, continuing the story of her adventures, and Part 3, The Crow, detailing events in the South and the adventures of Hem, Maerad's brother.

The Gift
The Riddle
The Crow

In the Singing, we find Maerad reunited with her friend and mentor, Cadvan, and travelling in her form as a wolf. They journey from the North with their half of the Treesong, unaware that Maerad's brother Hem, travels up from the South with the other half. Maerad and Hem feel an uncontrollable pull toward each other, as the Treesong itself works to be joined, but they both find their journeys fraught with peril. Maerad and Cadvan become trapped in Innail as the full power of the Landrost is turned against them, forcing Maerad to confront the true power deep within her. Meanwhile, Hem and Saliman attempt to outrun the Nameless One's Black Army as it marches north from Den Raven, and Hem is forced to confront his own talents when Saliman becomes infected with the White Sickness.

Alison Croggon's work is compelling and bold. Her characters are engaging but by no means perfect, most of them be tempted by the Darkness at some point in the tale. Cadvan remains my favourite character, and I really enjoyed how he developed throughout his journey, and how his relationship with Maerad evolves. Maerad is still a fascinating character, often driving me to an intense dislike and frustration, but then to pity and empathy. Her struggle is certainly reminiscent of Frodo's epic journey in Tolkien's work, but with the intriguing difference of having far more power and control of her destiny. Even if the Riddle of the Treesong is discovered and the Nameless One destroyed, what fate will that leave for the Bards of Edil-Amaranth. Quite a burden.

I found myself quite bereft as I finished the Books of Pellinor. I have followed these characters throughout their journey, and was very sad that it had to come to an end. However, I have now begun to discover Alison Croggon's other work, and see a whole new world of poetry and essays opening up to me. Where one journey ends..another begins!

Other reviews/links:
Alison Croggon's blog

The Last Battle of the Icemark - Stuart Hill

Rating: 4 1/2

Last Battle of the Icemark is the last of the Icemark Chronicles, so be warned from reading any further if you have not read the first two! The Icemark Chronicles are the stories of Queen Thirrin and her battle to keep her tiny kingdom safe from enemy hands, and maintain her tenuous alliance with the werewolves, giant snow leopards and vampires.

Following the events of Blade of Fire, the Icemark is safe from the Polypontian Empire, which lies in ruins following the death of Scipio Bellorum. But there is a new threat which Thirrin and her family must face, a legion of Hypolitan warriors determined to wipe out their enemies, including every person in the Icemark, and all their allies.

Meanwhile, Medea, Thirrin and Oskan's daughter, has been banished to the Underworld, where she is bent on revenge, attempting to form an alliance with the most powerful sorcerer, Cronus, her grandfather and King of the Darkness. Oskan Witchfather is chosen by the Goddess, and tasked with saving the world from Cronus, who is determined to wipe out all creation, but Oskan finds it difficult, faced with possibly having to destroy his own daughter and the price of saving the world may be too high.

I have loved this series since the beginning, finding it absolutely impossible to put these books down once I have started reading them (which has caused numerous problems!). The allies are quite the motley crew, each with memorable and likeable characters, perhaps even the vampires. It has been quite a journey following Thirrin and Oskan from their youth, to their reign as Queen and Consort, and then to the birth of their own family. Oskan has always been my favourite character, especially when he allows himself to delve into the darkness, while attempting to remain good. I have also found myself intrigued by Medea and her conflicting desires for power and the love and acceptance of her father. Cronus himself is a little 2-dimensional, but his army of Ice Demons are fabulous! Sharley, as usual, irritated me a lot in this story, but luckily he is reduced to a minor role, leaving the bulk of the story to Thirrin, Oskan and Medea, with Cressida also having her own, amusing, sideline.

With lots of action and typical Norse style drinking celebrations, The Icemark Chronicles are fabulously inventive stories, and I would recommend them to anyone who enjoys children's fantasy.

Tuesday, August 26, 2008

R.I.P. III Challenge


I've only been blogging a few months, and thus have not had the pleasure of participating in one of Carl V's R.I.P. Challenges. This years challenge will have various related activities, so keep an eye on Stainless Steel Droppings as the challenge progresses. R.I.P. III runs from September 1st through October 31st, 2008, and there are three possible variations. There are three perils to choose from, and the challenge is to read between 1 and 4 books from the following subgenres:

Mystery.
Suspense.
Thriller.
Dark Fantasy.
Gothic.
Horror.
Supernatural.

Instead of a fixed list of books, each participant should create a pool of books that they would like to select from. This pool can be books they already want to read and you can get ideas from other participants' pools. Reviews should be posted on the R.I.P.ing Yarns website.


I have chosen Peril the Second, and will be reading two (or more!) of the following books in the subgenres:

The Master and the Margarita - Mikhail Bulgakov
The Shadow of the Wind - Carlos Ruis Zafon
Smoke and Mirrors - Neil Gaiman
Nocturnes - John Connolly
The Dark Tower I: The Gunslinger - Stephen King
The Thirteenth Tale - Diane Setterfield
The Collector - John Fowles
Fragile Things - Neil Gaiman
Rebecca - Daphne Du Maurier
The Bloody Chamber - Angela Carter

So whatever you choose, enjoy!!

Friday, August 22, 2008

Snow - Tove Jansson

Rating: 3 1/2
Read for: The Short Story Reading Challenge

Tove Jansson is well known as an extraordinary woman, and writer of children’s stories. Most famous for her stories of the Moomins, Jansson reached more recent acclaim after her death, with the publication of two collections of short stories, The Summer Book and The Winter Book. I remember loving the Moomin stories as a child, and wanted to select one of Jansson’s short stories for this challenge. I selected Snow as I was drawn to the simple title, I knew nothing of the content of any of these stories.

Snow appears to be a simple story. A child and her mother have moved to a strange old house, which is permeated with the memory of the previous family. The mother is relaxed and settled there, finding peace from the outside world. The child however, finds no comfort, becoming obsessed with the falling snow outside, and the prospect of being buried forever in a terrifying snow drift. I said appears to be a simple story. Snow is really about the unfamiliar, about resisting change and the unknown, but about finding hope in family, in companionship. Ali Smith, who selected this collection, described A Winter Book as "Beautifully crafted and deceptively simple-seeming, these stories are pieces of scattered light."

Jansson's writing itself is beautiful. Much of her work is semi-autobiographical, and this is understandable when reading her descriptions of the empty rooms, of the sounds and light, and about a child's reaction to the unknown, the silence, the resignation. You can feel the child's loneliness and confusion, being removed from her own life and deposited in a large, empty, old house.

"If you stood in the furthest room, you could see through all the other rooms and it made you feel sad; it was like a train ready to leave with its lights shining over the platform. The last room was dark like the inside of a tunnel except for a faint glow in the gold frames and the mirror which was hung too high on the wall. All the lamps were soft and misty and made a very tiny circle of light. And when you ran you made no noise."

Since reading Snow, I have read more about Tove Jansson, a fascinating woman of nature, who lived her life in the towns and islands of Finland, living well into old age, and her work is permeated with her life experiences and love of the natural world around her. Reviews of other stories in A Winter Book are heaped with praise, and thus I will certainly be reading the rest of this and other collections. I will however be waiting for the appropriate season for the rest of this wintry collection, as I think the glorious sun beaming down on me while reading about Snow did hamper my enjoyment just a little! Definitely one for being curled up in front of the fire, with snow falling outside.

Thursday, August 21, 2008

Breaking Dawn - Stephenie Meyer

Rating: 4 1/2

I think I must be one of the last people left in the blogging world to read and review this book! And yet, to my surprise, I managed to skilfully avoid any spoilers and thus my reading experience was entirely untainted. Since then, I have scanned a few reviews, and the inflammatory nature of some have been a great source of amusement!

Stephenie Meyer is huge in the USA. Far more so than in the UK. That is not to say she is unheard of here. Indeed, I went into my local Waterstones the other day and found that Breaking Dawn is the number 1 on the bestseller list at the moment, thus filled the front of store. The day I bought the book, they had to fish me one out of the window display as they had already sold out (and yet I managed to get a signed copy..curious!).

Needless to say, I am not the first to review this book, and thus am not too worried about spoiling the story for many people, but nevertheless I will warn you when spoilers are ahead.

I have thoroughly enjoyed this series, which has been a special pleasure for me as I have never read a vampire series before. As with J.K. Rowling, Meyer is not the best writer in the world, nor are her ideas groundbreaking, but she is highly creative and imaginative and her stories are engrossing to say the least. For this reason, Twilight will always be my favourite of the series. It is where I was introduced to the characters and the story, and where I became hooked. New Moon was a fascinating exploration of loss, depression and what one person would do for love. Eclipse is about passion and friendship (as well as the newborn vampire attack story), but Breaking Dawn is where Meyer introduces a truly new vein of storytelling. Up until now, the Twilight series has been Bella's story. Breaking Dawn is split into three parts, telling Bella's story, then Jacob's story, then Bella's again. An interesting divergence from the author's usual style of writing, but very effective. The second part could certainly have been written from Bella's perspective, but probably would have become quite dull and repetitive. Using Jacob as the protagonist allows us some more insight into his mind and feelings, and allows us to see more of Edward also, as they struggle with the situation in hand (which I will get to!).

I found Breaking Dawn to be a mature exploration of family, as well as dealing with Bella's wedding and inevitably leading up to her transformation. As usual, Bella is faced with all kinds of obstacles, not to mention the self-proclaimed leaders of the vampire world...the Volturi. We are graced with the showdown that has been building since Bella first met the Volturi in New Moon, but it certainly wasn't what I had expected.

On that note..

~WARNING SPOILERS AHEAD~


Breaking Dawn starts where Eclipse left off, and we are rapidly swept through wedding arrangements into the wedding and then the honeymoon on a romantic isolated island. Here Edward has to fulfil another part of his bargain with Bella and attempt to safely have sex with her, without causing her injury or worse. I say safely, how ironic! Soon (very soon!) Bella discovers that she is indeed pregnant with Edward's child, and while he is fixed on aborting the foetus, Bella becomes ardently attached to it, and calls Rosalie to assist, who she knows will side with her decision to keep the 'child'. Upon their return to Forks, the story switches to Jacob's point of view, as he and the Cullens deal with Bella being pregnant, with the fact that the birth will likely kill her, and with the foetus itself, a truly unknown quantity. As the 'child' develops far more rapidly than a human, they discover that though it grows and has a heartbeat, it needs blood to survive, a true human-vampire hybrid. The birth draws nigh, and Bella is indeed mortally wounded, though the child itself survives. Edward is forced to bite and inject his venom into Bella in an attempt to save her, thus her transformation takes place.

I was not surprised that Bella becoming a vampire was a life-saving measure, it had been so for most of the other Cullens, Carlise, Alice and Jasper excluded. I was a little disappointed at first that Bella did not exhibit the famed newborn tendencies, the frenzied feeding and uncontrollable urges. However, her self-control seemed relevant, both for her and for Edward and his ability to be with her, without killing her, when she was human. This then leads to speculation about her 'special gift' which turns out to be far more special than anyone could have imagined. The child herself is irresistable, and everyone immediately falls in love with her, not least Jacob, who imprints on her, leaving him forever entwined in the lives of Bella and the Cullens, as Bella herself had previously suggested, he was meant to be part of her life. This was no huge surprise to me, and I was very glad that he did not end up with Bella. That to me would have been a huge disappointment, given Edward and Bella's supposed incomparable love for each other. I really like Edward, and am happy to say that I am not in and am nowhere near the Jacob adoring fan club! He really annoys me, less so in this book to be true, and though he and Bella probably deserve each others irritating nature, I have always wanted Edward to get his girl!

There was so much about this book that I liked. Alice's story sideline is interesting, as I always rooted for her and was glad to be proved right! The cottage that Bella and Edward are given is beautifully described, I only wish I could have had more time in it. And the vampires that join the Cullens to stand against the Volturi are all so varied and interesting. I particularly like the Amazon vampires, and Benjamin, but am glad that they were not all instantly likeable. No large group of people (or the undead) are all likeable, and the variety was more realistic, if I can possibly describe vampires as such! The ending was certainly not what I expected, but I was grateful for that, that after four novels, Meyer's story was not predictable (ok, except maybe the Jacob imprinting on the baby thing!). I have been rather amused by the uproar surrounding the conclusion to this series. It certainly was not perfect (there was never enough about Carlisle), but what series ever ends that way, and no author could ever please all their readers. I've enjoyed this little journey.


~SPOILERS END~
















Though skeptical at first, I am now very much looking forward to Midnight Sun, the telling of Twilight from Edward's point of view. The first chapter (draft) can be found on Stephenie Meyer's official website, which has a particularly delicious banner very close to my heart! I am also looking forward to the film of Twilight (I think Robert Pattinson is perfect for Edward), though I am a little concerned that it will be a disappointment. Perhaps I should lower my expectations, just in case.







Other blog reviews:
Melody's Reading Corner
Becky's Book Reviews
Rhinoa's Ramblings
Maw Books Blog
the bookworm
Tripping Toward Lucidity
In Spring it is the Dawn

Monday, August 18, 2008

The Ice Queen - Alice Hoffman

Rating: 4 1/2

"Be careful what you wish for. I know that for a fact. Wishes are brutal, unforgiving things. They burn your tongue the moment they're spoken and you can never take them back. They bruise and bake and come back to haunt you. I've made far too many wishes in my lifetime, the first when I was eight years old. Not the sort of wish for ice cream or a party dress or long blond hair; no. The other sort, the kind that rattles your bones, then sits in the back of your throat, a greedy red toad that chokes you until you say it aloud. The kind that could change your life in an instant, before you have time to wish you could take it back."

This is the story of a girl who makes a wish, one that leaves her devastated with loss. She grows up with a heart of ice, her life cold and unfeeling, until one day she stands by her kitchen window and is struck by lightning. She survives, but is forever changed, and not just because of the injuries caused by the strike, her irregular heartbeat, headaches, her loss of the colour red. A series of events and meetings are set in motion until she finally meets Lazarus Jones, her opposite, a man whose very touch scorches, the fire to her ice. Through their passion they learn each other's secrets, the very truths behind their desires, and their hopes for a second chance.

Alice Hoffman's protagonist is unnamed. As if naming her would give her something, some tangible quality that the reader would recognise. Instead, she represents desire, all the wishes we could ever make, however ill- or well-meaning, and their potential consequences. She represents the search for love, the search for happiness, and ultimately hope. Her story is moving, precisely because of her coldness, because she cannot feel. This ice is certainly why I was drawn to her. This need for something just out of her reach. Something intangible. Something I really cannot express in words.

I loved the references to Grimms' fairy tales throughout the story. Perhaps Hoffman's Ice Queen sees her own life as one of these dark, atmospheric tales, and inevitably sees her own unhappy ending. A very modern take on Hans Christian Anderson's Ice Queen, with an interesting segue into the world of lightening strikes and survivors. A great deal of food for thought.

When reading reviews of this book, I found that "haunting" was often the word used to describe it. Haunting...certainly a word to use for this gorgeous novel. A story of friendship and family, of heartbreak and hope, of love and loss. The Ice Queen is one of the most beautiful books I have read in a long time, and only my second of Hoffman's work. I shall definitely be seeking more of her evocative style of writing. And the butterflies...again I don't have the words!

A heartbreakingly beautiful fairy tale for adults.

Other blog reviews:
Nymeth @ things mean a lot
Naida @ the bookworm
Rhinoa's Ramblings