Tuesday, September 30, 2008

Back to reality..

Well, things have been far more chaotic than I thought over the last few weeks. I have changed jobs which has given me more free time, which I have filled with all the things that I have been meaning to do over the last two years! It also means that I have not done a great deal of reading recently, until the last few days during which I have been struck by a nasty cold!

Below are some pictures of the farm where the Thirteen Moons festival and women's gathering was held on Dartmoor. Nigel Shaw and Carolyn Hillyer have spent the last 12+ years creating a beautiful home for themselves in the centre of the stunning and wild high moor, including the contruction of an Iron Age roundhouse, stone circle and several shrines, which are scattered over their land. The gathering itself was one of the most wonderful experiences I have had, being surrounded by over 200 women (and 2 men!) all sharing in our femininity and the power of the land around us, through craft, music, community and shared experience. My first women's gathering and a very powerful thing indeed, especially our pilgrimage across the moor before dawn, to meditate in an ancient neolithic shrine and stone row, watching the mist rise over the heathland. It was a very emotional and creative time for me, as well as a chance to meet up with old friends and meet many new ones. I made my own deer toe rattle as well as taking part in the festivities as a member of the drum moon clan...a curious coincidence as I am most attached to the drum as an instrument.

Unfortunately, my journey back home after the gathering somewhat marred my time away. I witnessed a particularly horrible accident in which a motorcylist was hit by a car and trapped beneath it. We managed to free the man from under the vehicle and he was rushed to hospital where I understand he is recovering after being in a critical condition for several days. I have experienced several minor accidents in my life (and one which could have been very serious) but nothing like this, and it has truly shaken me to my core. At the time of the accident I remained very calm and my mind leapt into practical action, but I have since struggled while driving whenever I see motorcylists, feeling this inexplicable panic rising within me. I truly feel sorry for the poor girl who was driving the car, she must be suffering so terribly. I have friends who ride motorcycles, and I can't say that I do not fear far more for them now than I did before.

On a more positive note..I am now another year older, and celebrated in truly immature style on Sunday with several friends, with a picnic, followed by rounders and trip to Go Ape, an extremely fun high wire forest adventure course in the trees...I shall try and post some photos tomorrow. I thoroughly recommend it to anyone (unless you do not like heights!), although I still ache now, several days later! So now I am spending my restful evenings recovering from my non-stop few weeks with my new copy of Brisingr by Christopher Paolini..yet another book to distract me from my challenges!

stone circle

iron age roundhouse

inside the roundhouse

bone shrine
pond with buddha and old flute shrine

offerings to the goddess

Sunday, September 21, 2008

Oscar Wilde

"Society, as we have constituted it, will have no place for me, has none to offer; but Nature, whose sweet rains fall on unjust and just alike, will have clefts in the rocks where I may hide, and secret valleys in whose silence I may weep undisturbed. She will hang the night with stars so that I may walk abroad in the darkness without stumbling, and send the wind over my footprints so that none may track me to my hurt: she will cleanse me in great waters, and with bitter herbs make me whole."
Oscar Wilde, De Profundis

Saturday, September 20, 2008

J.K. Rowling

“I don’t go looking for trouble. Trouble usually finds me.”
J.K. Rowling, Harry Potter

Friday, September 19, 2008

Susanna Clarke

“…With the ashes that were her screams and the pearls that were her bones and the counterpane that was her gown and the magical essence of her kiss, I was able to divine your name…”
Susanna Clarke, Jonathan Strange & Mr Norrell

Thursday, September 18, 2008

J.M. Barrie

"Second to the right, and straight on till morning."
J. M. Barrie, Peter Pan

Wednesday, September 17, 2008

Charlotte Bronte

"I am no bird; and no net ensnares me;
I am a free human being with an independent will . . ."
Charlotte Bronte, Jane Eyre

Tuesday, September 16, 2008

More travels!

Speaking of travels, I am also heading away this weekend. This time, back to Dartmoor, my favourite place in England. I shall be attending Thirteen Moons, an Autumn festival of music, crafts and journeys, on the land of two fabulous musicians, Carolyn Hillyer and Nigel Shaw. See here for more information on their music, concerts and workshops.

Needless to say, I won't be near my computer for the next few days, but I'll catch up with my Google Reader when I get back! Have a very merry Equinox!

Brief travels in an ancient land

Last weekend I travelled to Dublin, Ireland to visit an old friend from university. Most of Friday was spent in the city, perusing Trinity College and the Book of Kells, the Chester Beatty Library and the National Museum of Ireland. And in the evening, the obligatory visit to an old pub to hear my companion's friend play some traditional Irish music, and obviously a pint (or few) of Guinness! Unfortunately my friend had to work, so Saturday I hired a car and visited a few places that I've wanted to go for many years. Needless to say, not a lot of reading was done!

The Boyne Valley or Brú Na Bóinne is known the world over for the iconic passage tomb of Newgrange, famed for its astronomical alignment with the winter solstice sunrise, but this particular tomb is only one of several ancient sites found in the present day County of Meath on the east coast of Ireland. The Boyne Valley mounds at Newgrange, Knowth and Dowth were built around 3200BC making them older than Stonehenge in England and the Pyramids of Giza in Egypt. Built by Neolithic farming communities, these burial mounds are suspected to be places of astrological, spiritual, religious and ceremonial importance, much as present day cathedrals are places of worship where dignitaries may be laid to rest. The remains of over 150 people have been found in the region, but there is little evidence of anything else, leading to strong debate as to whether these megalithic structures were built primarily as burial tombs, or had some other religious or sacred significance.

Newgrange is the most famous ancient landmark in Ireland, allegedly attracting up to 200,000 visitors a year. Standing inside while the tour guides recreate the effect of the winter solstice is an unforgettable experience, surely only surpassed by being one of the lucky 50 people selected in the lottery each year to be present in the tomb during the actual solstice. At approx 8.58am on the winter solstice and two days either side, a shaft of sunlight shines through the roof box over the entrance and penetrates the passage to light up the chamber, including the Newgrange triskelion, a famed triple spiral.

Newgrange passage tomb

The entrance at Newgrange with the recognisable kerbstone

A fine example of kerbstone carvings at Newgrange

The famed Newgrange triskelion or triple spiral

However amazing Newgrange may be, for me, it really doesn't compare to the magic of Knowth. Far more underrated as a landmark, it is not possible to enter the passage at Knowth due to the fact that whole communities had lived on top of the mound for centuries, making the structure unstable. Built a few hundred years after Newgrange, and a short time before Dowth, Knowth has a far more interesting history. It is possible to track different communities living on and around Knowth since its construction, from the Neolithic period, through the Normans and even a Christian settlement. The beauty of Knowth is that the site gets very few visitors in comparison to Newgrange, and there were only 10 people in my group..quite magical. For a real piece of Irish history, this is the site to visit.

The passage tombs and tunnels at Knowth

Passage tombs at Knowth

Kerbstone carvings at Knowth

The Hill of Tara is believed to have been the seat of the High Kings of Ireland in the first millennium A.D., however Tara is also the site of a Passage Tomb known as the Mound of the Hostages that was built about 2,500 B.C. Far more impressive from the air, but there is still something quite eerie about this site. Unfortunately I arrived at the same time as a rather large tour group!

Aerial view of the Hill of Tara

I find it fascinating that such sites still exist today, and they can give us a really amazing insight into a world thousands of years ago. I try to make a point of visiting the many stone circles and burial mounds found in the countries I live and travel in. Nothing you read can ever compare to actually standing on these sites. So if anyone is planning on visiting Dublin or the eastern coast of Ireland, give these sites a visit! See here for more information.

William Blake

"To see a world in a grain of sand,
And a heaven in a wild flower,

Hold infinity in the palm of your hand,
An eternity in an hour."
William Blake, Auguries of Innocence

Monday, September 15, 2008

Weekly Geeks #17 - quotes

This Week's Geeks

is to post a different quote every day for a week. Mine are all literary except this, Regina Spektor's musical ode to Oedipus Rex.

"Sometimes I'd stand by the royal wall, the sky'd be so big that it broke my soul."
Regina Spektor - Oedipus

Weekly Geeks #16 - interview time!

Greetings! A somewhat belated Weekly Geeks here, as I disappeared to Dublin over the weekend for a wee jaunt that I will tell you all about a bit later (needless to say a fabulous time was had)! So this week’s geeks was to interview a fellow geek about a book that they have read recently but not reviewed on their blog, and for them to interview you about another book.

My fellow geek was Andi, who I interviewed about The Chronicles of Thomas Covenant, the Unbeliever, by Stephen Donaldson.

1. What made you choose to read The Chronicles of Thomas Covenant?
Once I was bashing science fiction, saying it was formulaic and trite (I was fresh out of college with my English degree, so forgive my pride) and Tim, this guy I worked with, told me that he could give me science fiction books that I would adore. So he brought in The Chronicles, and he was right . . I read the whole series in a matter of days.

2. Can you give us a quick introduction to this series?
I don't want to give too much away, but the basic gist is that Thomas Covenant is a very flawed man who believes himself unworthy of much, partially because he has been abandoned by his wife and son (when he was diagnosed with leprosy) but also because that is the nature of humanity. He is transported to the Land, an illdylic alternate earth, where he becomes, unwittingly, the key to saving the planet.

3. The Chronicles of Thomas Covenant were first written back in the 1970s, followed by the Second Chronicles in the 1980s and the Last Chronicles which were started in 2004. Have you found that these stories have aged well for modern readers or do the original stories seem somewhat outdated in comparison to the newer ones?
To be honest, I haven't read the newer ones. . . I started to, but I found the story didn't grip me as much as it did in the originals. I read the first series in the late 1990s and found them every bit as compelling as books written most recently. While I still hold Tolkien as the epitome of the writer who can create an alternate world, I found Stephen Donaldson an admirable contender for that title.

4. It is not often that the main character in a fantasy series has a disability or illness. Without giving any of the story away, what is the significance of the lead character's leprosy? Does it add to or detract from the story in any way?
I hinted at this above, but given Donaldson's religious upbringing and the Biblical references to leprosy - therein meaning any illness that was contagious - Covenant carries with him a physical manifestation of the loneliness and self-doubt that we all feel. I think this bit of the story builds it up tremendously, pulling in the world of Biblical allusions and adding depth.

5. As a fantasy series, the "Land" has a large number of creatures and peoples. Do you have a favourite?
I love Saltheart Foamfollower, the giant with the gorgeous name.

6. In your opinion, what is the most creative aspect of the "Land"?
I like that this Land can be healed. . . I think this piece of these books is particularly telling of when Donaldson wrote these books because in the 1970s we were just beginning to understand the impact that humanity was having on our planet. I would what, in this last series, Donaldson will say about this possibility.

7. If you have them, who are your favourite and least favourite characters?
I actually liked _ as characters if not as creatures I would like to meet - all of the characters in the books. While some fall into almost allegorical figures or archetypes, I feel like they all work well to further the books.

8. Would you recommend this series? Since reading the first trilogy, have you read or are you inspired to read the Second Chronicles trilogy and the planned Last Chronicles tetralogy?
I would definitely recommend the series to anyone who likes sci fi /fantasy and to those of us who understand the world to be sometimes a battle of good and evil, even if the good isn't always clear . . .

9. Fantasy is quite a wide-ranging genre of writing. What kind of story would you describe Thomas Covenant as? What type of readership will it appeal to?
I think it's the story of a world, much - as I noted before - like Middle Earth . . . but here we're dealing with a more contemporary story that seems a bit more timeless than even Tolkien. I also think these books might appeal to folks who like the work of Ursula LeGuin since Donaldson's writing is, on some level, political and in an activist bent.

10. Have you read any other work by Stephen Donaldson?
I have not read anything else by Donaldson, but I will definitely try to read more of the Covenant books now that I've been reminded about how great they are.


Andrea also interviewed me about a book close to her heart, The Hours by Michael Cunningham, that I read for the first time last summer.

1. Why did you choose to read The Hours? Were you a Cunningham fan? A Woolf fan? Some other reason?
I chose to read The Hours after watching the film, as I did not realise is was an adaptation. I loved the film, and managed to stumble across the book in a second hand bookshop. I had not heard of Michael Cunningham before. Woolf has always held a fascination for me, and I have read about her before, but have yet to read her work.

2. What do you think of the narrative structure? Do you like that it’s told in three parts? Why or why not?
The narrative structure of The Hours was essential. The book is three separate stories all interweaving within the connection these three women have, Virginia Woolf’s novel Mrs Dalloway. Their stories are all told, flitting between Woolf in 1920s England, Laura Brown in 1950s Los Angeles, and Clarissa Vaughn (”Mrs Dalloway”) in 1990s New York, but emphasis is on Woolf and Clarissa and the parallels between their lives and the characters in Mrs Dalloway. If these three stories were mixed any more, the structure would have been far more disorganised and confusing. I struggled when reading The English Patient several years ago, for this very reason. Cunningham wrote this novel using Woolf’s own stream of consciousness narrative style, and it works, allowing the reader to delve into the mind and emotions of each of the three protagonists.

3. What do you think of the controversy over the depiction of Woolf?
Virginia Woolf was a complicated woman. Aside from her mental instability, suffering dark periods of depression and suicidal tendencies, she had a fiery temperament and a passionate creativity as a writer. Cunningham allows Woolf’s condition to be seen as a way of life, rather than an illness to be studied and understood. Taken from the heart of London and placed in seclusion in the Surrey countryside, Woolf felt that her creativity was being stifled. For her, death was an escape from her life, which had grown to difficult to bear. Despite her genius and her ability to love and see the beauty of thing, Woolf also bore a terrible sadness. This comes across in Cunningham’s novel, and one truly sees the depth of her pain. The frankness of Cunningham’s writing really comes across in his depiction of her suicide, but is important to remember that this is a novel. The author is taking facts about Woolf’s life and creating a fiction.

Another point of controversy was Cunningham’s brief explorations into his characters’ lesbian and bisexual tendencies, not only with Woolf, who is known to have had a relationship with a female friend, but with Laura Brown and Clarissa Vaughn. This could be seen, however, as an indication of Laura’s desire for an escape from her life, and to show how society has changed, allowing homo- and bisexuality to be far more accepted in the 1990s.

4. Have you read Mrs. Dalloway? How does that compare with Cunningham’s book?
I have not yet completely read Mrs Dalloway, having only flicked through the book, though I am drawn to the book an awful lot these days, and will be definitely be reading it over the next few months. Cunningham does not delve into the fine points of Mrs Dalloway, only the parallels in Clarissa and Richards lives and in Woolf’s struggle to complete the novel against her growing mental instability. Mrs Dalloway is the underlying story throughout The Hours, only peeking out through Clarissa’s life and in the structure of the story itself. I am certain that I will appreciate The Hours in a new light once I have read Mrs Dalloway, and am looking forward to rereading it.

5. How do you feel about Virginia Woolf as a person? As a writer?
I am very drawn to Virginia Woolf. Perhaps as a woman, who has also experienced dark periods in my life, though nothing in comparison to Woolf herself, or perhaps someone who is also inspired to create stories and become completely absorbed in their creation. I have several of her books waiting to be read, along with a highly acclaimed biography, though I will leave the latter until I have read more of her work. Woolf intrigues me, both as a person and a writer, and perhaps that is why I found this novel so powerful.

6. Of the three women in the book, which character to you most prefer and why?
It’s interesting how upon reading the book, and watching the film, each several times, I am drawn to a different character more and am struck by something unique each time. I have found that I am most drawn to Virginia Woolf herself and Clarissa Vaughn. I identify with both of them, one struggling for the freedom to be the person she wants to be, freedom from her own demons more than society; the other struggling to hide her fragility and desire for approval, pouring all her efforts into throwing a party for a close friend. Who doesn’t wonder at times at the triviality of our daily lives?

7. What do you think of Cunningham’s writing style?
I found Cunningham’s writing style to be bold and fresh. His descriptions, especially of Woolf’s suicide, are so factual and precise, I could almost feel the process as characters make their decisions and carry out their actions. His description of Laura Brown’s depression is so evocative; the darkness surrounding her is palpable, and her daily struggle is painfully sad. And the description of Richard, the dying poet are heartbreaking, yet so tangible.

8. Would you read more of his work? Why or why not?
I have seen Cunningham’s other work, and would consider reading more, though the main draw of The Hours for me was that I had enjoyed the film and was interested to read more about Virginia Woolf.

9. Who would you recommend read this book? Would you recommend not read this book?
I would highly recommend this book, and have already given copies to my mother and best friend! Obviously this book is a must read for fans of Virginia Woolf or fans of her work, but no exclusively so. The Hours also works well as a stand-alone novel, though one’s understanding of the depth of the story is enhanced for those who do know more about the background, of Mrs Dalloway and of Virginia Woolf herself. I would perhaps not recommend the book for readers who find themselves impatient, demanding action from their stories. The Hours is a slow burner, but no less powerful.

10. Overall, on a scale of 1-10, what score would you give the book and why?
I would give The Hours a very bold 8 out of 10! I loved Cunningham’s style of writing and the way the story weaves between the lives of these three women.

Many thanks to Dewey for hosting another fabulous Weekly Geeks, and to Andi for her great questions. Andi's post can be found here. I for one will definitely be reading The Chronicles of Thomas Covenant!

Sunday, September 7, 2008

The Singing - Alison Croggon

Rating: 5

For those of you that enjoy fantasy novels in the style of Lord of the Rings or the Sword of Shannara, the Books of Pellinor are a must read. The Singing is the final part of this series by Australian author, poet, essayist and theatre writer, Alison Croggon.

The Books of Pellinor are supposedly a translation of the Naraudh Lar-Chane (The Riddle of the Treesong), an ancient but undateable document which is a classic in Annaren literature. The story is set in the world of Edil-Amarandh, home to a wide diversity of cultures, and reveals the fascinating history and culture of the Bards.

The Books of Pellinor have rapidly become one of my favourite fantasy series of all time, and I cannot recommend them highly enough. Written for young adults, the stories have the excitement, adventure, emotion and rich detail of work such as Lord of the Rings, with Croggon creating the 'Speech' and language of the 'Elidhu'. However, the writing is different and far more accessible for reader, who is drawn completely into the story. I found myself entirely gripped by Maerad's peril and enchanted by the lands and creatures that she encounters.

This rest of this review will contain spoilers for the earlier books in the series, of which my reviews are linked below. Part 1, The Gift, tells the story of Maerad of Pellinor's coming into her Gift as a Bard, with Part 2, The Riddle, continuing the story of her adventures, and Part 3, The Crow, detailing events in the South and the adventures of Hem, Maerad's brother.

The Gift
The Riddle
The Crow

In the Singing, we find Maerad reunited with her friend and mentor, Cadvan, and travelling in her form as a wolf. They journey from the North with their half of the Treesong, unaware that Maerad's brother Hem, travels up from the South with the other half. Maerad and Hem feel an uncontrollable pull toward each other, as the Treesong itself works to be joined, but they both find their journeys fraught with peril. Maerad and Cadvan become trapped in Innail as the full power of the Landrost is turned against them, forcing Maerad to confront the true power deep within her. Meanwhile, Hem and Saliman attempt to outrun the Nameless One's Black Army as it marches north from Den Raven, and Hem is forced to confront his own talents when Saliman becomes infected with the White Sickness.

Alison Croggon's work is compelling and bold. Her characters are engaging but by no means perfect, most of them be tempted by the Darkness at some point in the tale. Cadvan remains my favourite character, and I really enjoyed how he developed throughout his journey, and how his relationship with Maerad evolves. Maerad is still a fascinating character, often driving me to an intense dislike and frustration, but then to pity and empathy. Her struggle is certainly reminiscent of Frodo's epic journey in Tolkien's work, but with the intriguing difference of having far more power and control of her destiny. Even if the Riddle of the Treesong is discovered and the Nameless One destroyed, what fate will that leave for the Bards of Edil-Amaranth. Quite a burden.

I found myself quite bereft as I finished the Books of Pellinor. I have followed these characters throughout their journey, and was very sad that it had to come to an end. However, I have now begun to discover Alison Croggon's other work, and see a whole new world of poetry and essays opening up to me. Where one journey ends..another begins!

Other reviews/links:
Alison Croggon's blog

The Last Battle of the Icemark - Stuart Hill

Rating: 4 1/2

Last Battle of the Icemark is the last of the Icemark Chronicles, so be warned from reading any further if you have not read the first two! The Icemark Chronicles are the stories of Queen Thirrin and her battle to keep her tiny kingdom safe from enemy hands, and maintain her tenuous alliance with the werewolves, giant snow leopards and vampires.

Following the events of Blade of Fire, the Icemark is safe from the Polypontian Empire, which lies in ruins following the death of Scipio Bellorum. But there is a new threat which Thirrin and her family must face, a legion of Hypolitan warriors determined to wipe out their enemies, including every person in the Icemark, and all their allies.

Meanwhile, Medea, Thirrin and Oskan's daughter, has been banished to the Underworld, where she is bent on revenge, attempting to form an alliance with the most powerful sorcerer, Cronus, her grandfather and King of the Darkness. Oskan Witchfather is chosen by the Goddess, and tasked with saving the world from Cronus, who is determined to wipe out all creation, but Oskan finds it difficult, faced with possibly having to destroy his own daughter and the price of saving the world may be too high.

I have loved this series since the beginning, finding it absolutely impossible to put these books down once I have started reading them (which has caused numerous problems!). The allies are quite the motley crew, each with memorable and likeable characters, perhaps even the vampires. It has been quite a journey following Thirrin and Oskan from their youth, to their reign as Queen and Consort, and then to the birth of their own family. Oskan has always been my favourite character, especially when he allows himself to delve into the darkness, while attempting to remain good. I have also found myself intrigued by Medea and her conflicting desires for power and the love and acceptance of her father. Cronus himself is a little 2-dimensional, but his army of Ice Demons are fabulous! Sharley, as usual, irritated me a lot in this story, but luckily he is reduced to a minor role, leaving the bulk of the story to Thirrin, Oskan and Medea, with Cressida also having her own, amusing, sideline.

With lots of action and typical Norse style drinking celebrations, The Icemark Chronicles are fabulously inventive stories, and I would recommend them to anyone who enjoys children's fantasy.